Straight on

"Straight on": Sculpture december 2009, wooden puppets and cement.

This work shows the death of the hand made sculpture nowadays. The puppets are working like a symbol of the tradition in arts, that is not as respected as it should be.

The brick of cement refers to the minimal sculpture that is so present in the topicality, even being such a boring and old art.

The movement of the parts ,that are not inside the cement, let viewers change the sculpture in other forms.

I wanted to talk about the fact that everybody should make his own art, instead of following just the latest movement that is “going on”.

Ruc

"Ruc" (Donkey /Burro /der Esel): Sculpture out of old metal pieces, September 2010, Felanitx, Mallorca, Spain.

Herzlos

"Herzlos" (Heartless/desangelat/desalmado) Sculpture: 38c x 22 x 20cm. November 2010, Metall tubes and metall plates. Linz, Austria/Österreich.

Ànima bruta

Ànima Bruta - Dirty Soul: Sculpture (114cm x 58cm x 30cm) September 2010, Welded nails and plates, S'Horta, Mallorca, Spain.

Capbussada

"Capbussada" Sculpture, July 2010, Anchor, welded nails, metal plates. S'Horta, Mallorca, Spain. Presented in "Nitx de l'art", Felanitx.

Three-dimensional representation of a steadiness research in human's life, showing the battle for our wish of freedom (also freedom to die) and the ballast of our responsibilities.

Torso

"Torso" sculpture, June 09, cement copy and piece of wood. Linz, Österreich/Austria.

Rigor Mortis

"Rigor Mortis" Installation in vitrines, May 09, 5 purple light bulbs, 58 copies of body parts out of plaster. "Fearfully Yours" collective exhibition at the Kunstuniversität Linz.

A lot of families have showcases, where they keep objects of sentimental value or photos from relatives that they appreciate.

Due to the fear of the emptiness of death I materialize my self in parts. Art heals the sensation of the emptiness of death and also materializing my self I create a conceptual irony with the fact that this particular emptiness appears as a result of a “materialistic society”.

That work consists on many small realistic plaster copies (positive forms) from parts of my body and other university colleagues too.